Here are the tools they utilized to capture the images: Due to the small physical size of the iPhone, they were able to do some camera movements that were amazingly electric and would have been much harder to do with larger cameras - and it gave their characters even more energy at times. The footage reminded me of digital films from the early and mid-200s, but it completely worked for the subject matter. If you can see the film on the big screen, it's absolutely worth it not only because it's both funny and heartbreaking (and just a good film), but because it shows just how far these tools have come.
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The anamorphic adapter is one of the biggest pieces of the puzzle here, and it certainly helps take the footage to another place compared to regular old mobile video (especially with the lens flares).īy using the FiLMiC Pro app, they were also able to avoid the constantly changing exposure that normally comes with shooting on a phone (though there were times in the film that focus was not locked). By utilizing the iPhone 5s and anamorphic adapters, the Director/co-DP Sean Baker and co-DP Radium Cheung (who was shooting FX's The Americans when he got the call to shoot this film) were able to capture the film in a way that gave them maximum mobility, a unique look, and quite a bit more stealth than if they were using larger cameras.
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